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CULTURE & TRADITION
As
a tiny landlocked Himalayan kingdom, Bhutan remained sovereign and
self-sufficient but unknown to the world outside for most of its
existence until the mid 20th century. The country’s heritage
of rich culture and environment has remained almost completely untainted.
The daily life is influenced strongly by Buddhism and like nowhere
else one can experience Living Buddhism in Bhutan. The Middle Path
and the concept of Gross National Happiness are a strong basis for
the Bhutanese way of life.
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There
is a myriad of stories about people and buildings in every district
in Bhutan. Ruins said to be haunted by ghosts, old Dzongs as reminders
of the Bhutanese defence against Tibetan invaders, animals believed
to have flown from Tibet to Bhutan and assuming the shape today
of huge rocks, stories about the abominable snowman; both true history
and myths are fascinating and an inherent part of Bhutanese culture.
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The
Buddhist festivals or Tsechus are one of the prime examples of the
living culture of Bhutan that many have come to admire and to treasure.
The tsechu is a festival in honour of Guru Rinpoche, the saint who
brought Buddhism to Bhutan and the Himalayan world. These Tsechus
are held in almost every district attracting hundreds of Bhutanese
people in a spirit of festivity, celebration and deep faith.
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The
Bhutanese people are a good-natured, friendly and fun-loving people.
The natural confidence of its people stems perhaps from the fact
that Bhutan has never been colonised. The ruggedness of the terrain
and the remoteness of its valleys have led to the formation of many
scattered communities throughout Bhutan. Hence there are nineteen
languages spoken in the country. The people in western Bhutan are
called Ngalongs. The eastern Bhutanese are referred to as the Scharshops,
and in southern Bhutan, there are the Lhotsampas who are of ethnic
Nepali origin. Bhutan also has several small communities who have
literally lived in isolation in their own communities for many years
keeping their traditional practices alive. These include the Doyas
in the south, the Layaps in the north-west, the Monpas of central
Bhutan, and the nomads of Merak Sakten in eastern Bhutan.
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Tsechus
take place throughout the country in every district at different
times of the year. The smaller Tsechus are often more interesting
as visitors get a close and better perspective of a local festival.
The Department of Tourism maintains a list of Tsechus, locations
and dates for the year. (LINK this to the webpage) Apart from the
main Tsechus in every district, folk festivals exist on a smaller,
community scale that provide a fascinating insight into local beliefs.
Some of these festivals are inspired by the pre-Buddhist tradition
– the Bon practise.
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Bhutan’s
arts and crafts reflect the unique spirit and identity of the Himalayan
kingdom. The art of Zorig Chosum – or the thirteen arts and
crafts of Bhutan – remains very much alive today. They include
carpentry, blacksmithing, weaving, sculpting and many of the crafts
described below. There are two institutes of Zorig Chosum where
these traditional arts and crafts are being taught today –
one in the capital, Thimphu, and the other in Trashi Yangtse in
eastern Bhutan. The arts and crafts continue to thrive despite a
small tourist market. Much of this is due to the government’s
support and emphasis on the preservation of culture and tradition.
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Traditional Medicines
Health
care in Bhutan is free for both Bhutanese and visitors. The health
systems have evolved into a fusion of traditional and modern medicine
and it is not uncommon that a patient would consult both the modern
and the indigenous physician. The rich tradition of indigenous medicine,
based primarily on herbal treatment, is kept alive with the Institute
for Traditional Medicine Services in Thimphu and 19 indigenous dispensaries
scattered across Bhutan. The museum inside the Institute in Thimphu
gives an insight into the treatments, and the collection and processing
of herbal plants into medication.
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Museums
Although
some might say that Bhutan in itself is a living museum, it is worthwhile
visiting Bhutan’s museums. The National Museum, hosted in
the Ta Dzong (watch tower) of Paro Dzong, gives a comprehensive
picture about history, culture, people and animals in Bhutan. In
Thimphu the National Heritage and Folklore Museum, the Museum of
Traditional Medicine, the National Library, the Institute of Traditional
Arts give a deeper insight into special parts of Bhutanese life.
A great museum on Bhutanese history, life and culture can be found
in the Tang valley of Bumthang district, in Tang Ugyen Choling.
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Traditional Dress
Bhutanese
traditional dress is called the gho ( men’s robes) and kira
( women’s dress). The women’s dress is a length of woven
material (kira) that is draped across the body over a blouse, and
held in place over the shoulders with silver clasps. A toego ( or
jacket) is usually worn over the dress. The man’s gho is a
stitched robe, which reaches the ground when first worn. This is
then pulled up to knee length and tied in place at the waist with
a handwoven belt. Long socks and shoes, or traditional hand made
boots complete the attire. Traditional dress is worn for all formal
occasions including working in the office. The Bhutanese wear their
best handwoven ghos and kiras on formal occasions while machine
milled traditional clothing is also popular for daily wear. There
has been a revival in interest in the traditional dress largely
inspired by the annual national textile competition and shows organised
by the Textile Museum. This annual event encourages weavers to design
and produce textiles using the season’s colours and has helped
to make the gho and kira very fashionable especially among the youth.
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Archery – More Than a Sport
Bhutan’s
national sport, archery, is not just a sport. It is a festivity
where archers, dancers, entertainers, astrologers – in fact,
entire communities – gather to eat, drink and have fun. And
the competition is serious. The teams will organise cheerleaders
to distract their opponents with witty songs and verses. Every score
– the target is barely half a meter wide and 140m away from
the archer - is celebrated with a dance, every miss greeted with
exaggerated groans of regret. Nowadays the game is played with traditional
bamboo and modern compound bows.
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